{"id":87,"date":"2016-09-23T17:00:45","date_gmt":"2016-09-23T08:00:45","guid":{"rendered":"http:\/\/mengelberg-en.kyoto-svp.com\/?page_id=87"},"modified":"2016-09-23T19:48:28","modified_gmt":"2016-09-23T10:48:28","slug":"the-results-of-analysis-of-the-recording-of-mengelberg-beethoven-symphony-no-5","status":"publish","type":"page","link":"https:\/\/mengelberg-en.kyoto-svp.com\/?page_id=87","title":{"rendered":"The results of analysis of the recording of Mengelberg Beethoven Symphony No. 5"},"content":{"rendered":"<p><script src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\" async=\"\"><\/script><br \/>\n<script>\/\/ <![CDATA[ (adsbygoogle = window.adsbygoogle || []).push({ google_ad_client: \"ca-pub-7449767836059688\", enable_page_level_ads: true }); \/\/ ]]><\/script><br \/>\nThis page is the results of analysis of the recording of Mengelberg Beethoven Symphony No. 5.<\/p>\n<h2>Conclusion<\/h2>\n<p>Teldec 4509-95515-2 is recording date in the CD jacket has been described as May 4, 1937, it is considered to be the Gramophone recording of the April 15, 1942.<\/p>\n<p>Currently, the recording of the Beethoven Symphony No. 5 of Mengelberg that are on CD is as follows.<\/p>\n<p style=\"padding-left: 30px;\">April 11,\u00a01922 Gramophone recording (first movement only)<\/p>\n<p style=\"padding-left: 30px;\">May 4, 1937 days Gramophone recording<\/p>\n<p style=\"padding-left: 30px;\">April 18,\u00a01940 days Live recording<\/p>\n<p style=\"padding-left: 30px;\">April 15, 1942 Gramophone recording<\/p>\n<h2>Analysis basis<\/h2>\n<p>As a reference, I use the date of the Netherlands Willem Mengelberg Society.<\/p>\n<p style=\"padding-left: 30px;\">NYPO, dinsdag, 11 april, 1922<\/p>\n<p style=\"padding-left: 30px;\">CGO, dinsdag, 4 mei, 1937<\/p>\n<p style=\"padding-left: 30px;\">CGO, donderdag, 18 april, 1940<\/p>\n<p style=\"padding-left: 30px;\">CGO, woensdag, 15 april, 1942<\/p>\n<p>It was analyzed the following 6 CD.<\/p>\n<h4>April 11, 1922 : Gramophone recording<\/h4>\n<p style=\"padding-left: 30px;\">First movement only (other movement seems to have not been recorded)<\/p>\n<p style=\"padding-left: 30px;\">VN-01842<\/p>\n<p style=\"padding-left: 30px;\"><img loading=\"lazy\" class=\"alignnone wp-image-504 size-medium\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/VN-01842-300x294.jpg\" alt=\"vn-01842\" width=\"300\" height=\"294\" \/><\/p>\n<h4>May 4, 1937 : Gramophone recording<\/h4>\n<p style=\"padding-left: 30px;\">The VN-01829 \u00a0 CD jacket has been described as April 5, 1937, but is a clerical error.<\/p>\n<p style=\"padding-left: 30px;\"><img loading=\"lazy\" class=\"alignnone wp-image-503 size-medium\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/VN-01829-300x300.jpg\" alt=\"vn-01829\" width=\"300\" height=\"300\" \/><\/p>\n<h4>18 april, 1940 : Live recording<\/h4>\n<p style=\"padding-left: 30px;\">PROC-1897<\/p>\n<p style=\"padding-left: 30px;\"><img loading=\"lazy\" class=\"alignnone wp-image-502 size-medium\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/img689-small-300x264.jpg\" alt=\"img689-small\" width=\"300\" height=\"264\" \/><\/p>\n<p style=\"padding-left: 30px;\">MR2171<\/p>\n<p style=\"padding-left: 30px;\"><img loading=\"lazy\" class=\"alignnone wp-image-501 size-medium\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/img964-small-300x259.jpg\" alt=\"img964-small\" width=\"300\" height=\"259\" \/><\/p>\n<p style=\"padding-left: 30px;\">VN-01812<\/p>\n<p style=\"padding-left: 30px;\"><img loading=\"lazy\" class=\"alignnone wp-image-500 size-medium\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/VN-01812-300x293.jpg\" alt=\"vn-01812\" width=\"300\" height=\"293\" \/><\/p>\n<h4>April 15, 1942 : Gramophone recording<\/h4>\n<p style=\"padding-left: 30px;\">Teldec 4509-95515-2 \u00a0 CD jacket has been described as May 4, 1937, but is a clerical error.<\/p>\n<p style=\"padding-left: 30px;\"><img loading=\"lazy\" class=\"alignnone wp-image-499 size-medium\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/img687-small-300x264.jpg\" alt=\"img687-small\" width=\"300\" height=\"264\" \/><\/p>\n<h2>Waveform observation (by movement)<\/h2>\n<h3>First movement<\/h3>\n<p>VN-01842 \u00a0 April 11, 1922 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-464\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/7f4cb514b68e97b84f1b38dac442c29b.jpg\" alt=\"vn-01842-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671922%e5%b9%b44%e6%9c%881114%e6%97%a5%e3%83%8b%e3%83%a5\" width=\"1224\" height=\"189\" \/><\/p>\n<p>VN-01829 \u00a0 \u00a0May 4, 1937 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-466\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/4882b5be538b7d31bb87fde47e26eaeb.jpg\" alt=\"vn-01829-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671937%e5%b9%b44%e6%9c%885%e6%97%a5%e3%82%b3%e3%83%b3%e3%82%bb\" width=\"1223\" height=\"185\" \/><\/p>\n<p>PROC-1897 \u00a0 \u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-470\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/cd43b45684e65e8a054c9a3e6ae9ab13.jpg\" alt=\"proc-1897-symphonie-no-5-in-c-minor-op-67-01-allegro-con-brio-1940%e5%b9%b44%e6%9c%8818%e6%97%a5\" width=\"1224\" height=\"183\" \/><\/p>\n<p>MR2171 \u00a0 \u00a0 \u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-476\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/c1302b289835d07f257368f48bbe047d.jpg\" alt=\"mr2171-symphony-no-5-op-67-1st-mov-1940%e5%b9%b44%e6%9c%8818%e6%97%a5\" width=\"1224\" height=\"185\" \/><\/p>\n<p>VN-01812 \u00a0 \u00a0 \u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-481\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/b08b0ba416cc90f86e7c746eabc2da4c.jpg\" alt=\"vn-01812-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671940%e5%b9%b44%e6%9c%8818%e6%97%a5%e3%82%b3%e3%83%b3%e3%82%bb\" width=\"1227\" height=\"185\" \/><\/p>\n<p>Teldec 4509-95515-2 \u00a0 \u00a0 \u00a0 \u00a0April 15, 1942 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-486\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/Teldec-4509-95515-2-Beethoven-Symphony-No.5-In-C-Minor-Op.67-1.Allegro-Con-Brio.jpg\" alt=\"teldec-4509-95515-2-beethoven-symphony-no-5-in-c-minor-op-67-1-allegro-con-brio\" width=\"1226\" height=\"187\" \/><\/p>\n<h3>Second movement<\/h3>\n<p>VN-01829 \u00a0 \u00a0May 4, 1937 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-467\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/4e47fd1f1d38d68610c0344aaddf7723.jpg\" alt=\"vn-01829-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671937%e5%b9%b44%e6%9c%885%e6%97%a5%e3%82%b3%e3%83%b3%e3%82%bb\" width=\"1222\" height=\"189\" \/><\/p>\n<p>PROC-1897 \u00a0 \u00a0 \u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-471\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/474d05145b430d20c990e6fe77c6ae52.jpg\" alt=\"proc-1897-symphonie-no-5-in-c-minor-op-67-02-andante-con-moto-1940%e5%b9%b44%e6%9c%8818%e6%97%a5\" width=\"1223\" height=\"189\" \/><\/p>\n<p>MR2171 \u00a0 \u00a0 \u00a0\u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-477\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/525f75e781dcf22c9a13a9155137784d.jpg\" alt=\"mr2171-symphony-no-5-op-67-2nd-mov-1940%e5%b9%b44%e6%9c%8818%e6%97%a5\" width=\"1225\" height=\"188\" \/><\/p>\n<p>VN-01812 \u00a0 \u00a0\u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-482\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/bd9c34b40c5a04725ff96f54aa0516f7.jpg\" alt=\"vn-01812-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671940%e5%b9%b44%e6%9c%8818%e6%97%a5%e3%82%b3%e3%83%b3%e3%82%bb\" width=\"1226\" height=\"187\" \/><\/p>\n<p>Teldec 4509-95515-2 \u00a0 \u00a0 \u00a0 \u00a0April 15, 1942 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-487\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/Teldec-4509-95515-2-Beethoven-Symphony-No.5-In-C-Minor-Op.67-2.Andante-Con-Moto.jpg\" alt=\"teldec-4509-95515-2-beethoven-symphony-no-5-in-c-minor-op-67-2-andante-con-moto\" width=\"1226\" height=\"186\" \/><\/p>\n<h3>Third movement<\/h3>\n<p>VN-01829 \u00a0 \u00a0May 4, 1937 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-468\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/a8df84f3d18b8cc64cb5d3415169976d.png\" alt=\"vn-01829-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671937%e5%b9%b44%e6%9c%885%e6%97%a5%e3%82%b3%e3%83%b3%e3%82%bb\" width=\"1224\" height=\"185\" \/><\/p>\n<p>PROC-1897 \u00a0 \u00a0 \u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-472\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/e0c6c3b1a7c216e7dcf7f864f72d71bd.jpg\" alt=\"proc-1897-symphonie-no-5-in-c-minor-op-67-03-scherzo-allegro-1940%e5%b9%b44%e6%9c%8818%e6%97%a5\" width=\"1222\" height=\"186\" \/><\/p>\n<p>MR2171 \u00a0 \u00a0 \u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-478\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/a6bdd4b4c56c4ec16b99fdb7b8684a41.jpg\" alt=\"mr2171-symphony-no-5-op-67-3rd-mov-1940%e5%b9%b44%e6%9c%8818%e6%97%a5\" width=\"1224\" height=\"183\" \/><\/p>\n<p>VN-01812 \u00a0 \u00a0 \u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-483\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/d796a332ddb983d6050a42f22efdb25a.jpg\" alt=\"vn-01812-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671940%e5%b9%b44%e6%9c%8818%e6%97%a5%e3%82%b3%e3%83%b3%e3%82%bb\" width=\"1224\" height=\"184\" \/><\/p>\n<p>Teldec 4509-95515-2 \u00a0 \u00a0 \u00a0April 15, 1942 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-488\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/Teldec-4509-95515-2-Beethoven-Symphony-No.5-In-C-Minor-Op.67-3.Allegro.jpg\" alt=\"teldec-4509-95515-2-beethoven-symphony-no-5-in-c-minor-op-67-3-allegro\" width=\"1224\" height=\"188\" \/><\/p>\n<h3>4th movement<\/h3>\n<p>VN-01829 \u00a0 \u00a0May 4, 1937 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-469\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/6b69ac3bc363a10926264fef0656af58.jpg\" alt=\"vn-01829-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671937%e5%b9%b44%e6%9c%885%e6%97%a5%e3%82%b3%e3%83%b3%e3%82%bb\" width=\"1225\" height=\"185\" \/><\/p>\n<p>PROC-1897 \u00a0 \u00a0 \u00a0\u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-473\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/cb104eb12d278579bc062ad6a17e3920.jpg\" alt=\"proc-1897-symphonie-no-5-in-c-minor-op-67-04-allegro-1940%e5%b9%b44%e6%9c%8818%e6%97%a5\" width=\"1221\" height=\"185\" \/><\/p>\n<p>MR2171 \u00a0 \u00a0 \u00a0\u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-479\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/f861dca88118662b21e90c66f81bf015.jpg\" alt=\"mr2171-symphony-no-5-op-67-4th-mov-1940%e5%b9%b44%e6%9c%8818%e6%97%a5\" width=\"1223\" height=\"188\" \/><\/p>\n<p>VN-01812 \u00a0 \u00a0 \u00a0\u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-484\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/4e88ab830473150295cebd80378b1922.jpg\" alt=\"vn-01812-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671940%e5%b9%b44%e6%9c%8818%e6%97%a5%e3%82%b3%e3%83%b3%e3%82%bb\" width=\"1225\" height=\"183\" \/><\/p>\n<p>Teldec 4509-95515-2 \u00a0 \u00a0 \u00a0 \u00a0April 15, 1942 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-489\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/Teldec-4509-95515-2-Beethoven-Symphony-No.5-In-C-Minor-Op.67-4.Allegro.jpg\" alt=\"teldec-4509-95515-2-beethoven-symphony-no-5-in-c-minor-op-67-4-allegro\" width=\"1224\" height=\"185\" \/><\/p>\n<h3>Waveform comparison result<\/h3>\n<p>All four types of recording of April 11, 1922, May 4, 1937, April 18, 1940, \u00a0April 15, 1942 were confirmed to have different characteristics in each.<\/p>\n<p>For April 18, 1940, I compared 3 CD (PROC-1897,\u00a0MR2171,\u00a0VN-01812).<\/p>\n<p style=\"padding-left: 30px;\">Apparently there is a big difference in the waveform amplitude, is due to the recording volume and noise processing of the CD. I confirmed these 3 CD are the recording of the same performance from the features on the performance (inclination or time to represent the intonation of the waveform).<\/p>\n<p style=\"padding-left: 30px;\">In PROC-1897 it has been included, such as tuning between movements and after playing applause.<\/p>\n<p style=\"padding-left: 30px;\">The MR2171, the amount of information that has been recorded including noise, so very\u00a0vivid!<\/p>\n<h3>Playing time (First movement only)<\/h3>\n<p>For reference, to compare only the measurement results first movement of the playing time.<\/p>\n<p>Since the first movement begins with a rest, it&#8217;s time was measured until the end of the sound from the first sound.<\/p>\n<p style=\"padding-left: 30px;\">VN-01842 (1922): 6:17<\/p>\n<p style=\"padding-left: 30px;\">VN-01829 (1937): 7:52<\/p>\n<p style=\"padding-left: 30px;\">PROC-1897 (1940): 6:17<br \/>\nMR2171 (1940): 6:16<br \/>\nVN-01812 (1940): 6:17<\/p>\n<p style=\"padding-left: 30px;\">Teldec 4509-95515-2 (1942): 7:42<\/p>\n<p>The data of the Netherlands Willem Mengelberg Society is the following.<\/p>\n<p style=\"padding-left: 30px;\">NYPO, dinsdag, 11 april, 1922: 6:25<\/p>\n<p style=\"padding-left: 30px;\">CGO, dinsdag, 4 mei, 1937: 8:01<\/p>\n<p style=\"padding-left: 30px;\">CGO, donderdag, 18 april, 1940: 6:37<\/p>\n<p style=\"padding-left: 30px;\">CGO, woensdag, 15 april, 1942: 7:48<\/p>\n<p>Interestingly, It has 6 minutes and 17 seconds in the live session recording and 1940 of the NYP,<\/p>\n<p>However in the studio recording of the Concertgebouw it has become a performance multiplied by the time that the 7 minute of the second half.<\/p>\n<p>I do not know how may understand this.<\/p>\n<h3>Impression<\/h3>\n<p>While there are four types, which has also different playing impression.<\/p>\n<p>This is the feeling and marks the impression in one sentence without fear of misunderstanding.<\/p>\n<p style=\"padding-left: 30px;\">1922(NYP) is portamento most effective performance.\u00a0(I feel sexy)<\/p>\n<p style=\"padding-left: 30px;\">1937 has a\u00a0driving force.<\/p>\n<p style=\"padding-left: 30px;\">1940 is\u00a0the most dense performance.<\/p>\n<p style=\"padding-left: 30px;\">1942\u00a0performance that has been emphasized stand-cart is the best (crisp feel better)<\/p>\n<p style=\"padding-left: 30px;\">Individual by the impression is different.<\/p>\n<h2>Waveform \u00a0(the beginningof the first movement)<\/h2>\n<p>I added waveform of the beginning of \u00a0the first movement, for further detailed comparison.<\/p>\n<p>VN-01842 April 11, 1922 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-465\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/05b0e595069693ecab05621de32f91ad.jpg\" alt=\"vn-01842-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671922%e5%b9%b44%e6%9c%881114%e6%97%a5%e3%83%8b%e3%83%a5\" width=\"1224\" height=\"185\" \/><\/p>\n<p>VN-01829 \u00a0 \u00a0May 4, 1937 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-475\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/138f03e08f1a86ff05e7874347819b49.jpg\" alt=\"vn-01829-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671937%e5%b9%b44%e6%9c%885%e6%97%a5%e3%82%b3%e3%83%b3%e3%82%bb\" width=\"1226\" height=\"189\" \/><\/p>\n<p>PROC-1897 \u00a0 \u00a0 \u00a0 \u00a0\u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-474\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/4ceee560d40925eb474697534f7510bd.jpg\" alt=\"proc-1897-symphonie-no-5-in-c-minor-op-67-01-allegro-con-brio-1940%e5%b9%b44%e6%9c%8818%e6%97%a5ex\" width=\"1217\" height=\"187\" \/><\/p>\n<p>MR2171 \u00a0 \u00a0 \u00a0 \u00a0 \u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-480\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/361773732f4d74a1772f25eb84b5f74c.jpg\" alt=\"mr2171-symphony-no-5-op-67-1st-mov-1940%e5%b9%b44%e6%9c%8818%e6%97%a5-ex\" width=\"1225\" height=\"186\" \/><\/p>\n<p>VN-01812 \u00a0 \u00a0 \u00a0 \u00a0\u00a018 april, 1940 : Live recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-485\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/1c257615d3b220e573b574e71049740a.jpg\" alt=\"vn-01812-%e4%ba%a4%e9%9f%bf%e6%9b%b2%e7%ac%ac5%e7%95%aa%e3%80%8e%e9%81%8b%e5%91%bd%e3%80%8f%e3%83%8f%e7%9f%ad%e8%aa%bf%e4%bd%9c%e5%93%81671940%e5%b9%b44%e6%9c%8818%e6%97%a5%e3%82%b3%e3%83%b3%e3%82%bb\" width=\"1224\" height=\"188\" \/><\/p>\n<p>Teldec 4509-95515-2 \u00a0 \u00a0 \u00a0\u00a0April 15, 1942 : Gramophone recording<br \/>\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-490\" src=\"http:\/\/mengelberg.kyoto-svp.com\/wp-content\/uploads\/2016\/09\/Teldec-4509-95515-2-Beethoven-Symphony-No.5-In-C-Minor-Op.67-1.Allegro-Con-Brio-EX.jpg\" alt=\"teldec-4509-95515-2-beethoven-symphony-no-5-in-c-minor-op-67-1-allegro-con-brio-ex\" width=\"1223\" height=\"186\" \/><\/p>\n<p>In the live performance of 1940, such as surprise, there is a great feature.<br \/>\nI have a strong impression to the crescendo of from 60 bar to 78 bar.Perhaps the audience that day was in the concert hall of the Concertgebouw is I think it is involuntarily drank the breath.<\/p>\n<p>On the other hand, the performance of 1942, such as pressing a Sew\u00a0&#8211; Sew &#8211; Sew\u00a0&#8211; Me, and one sound one note just in case, it&#8217;s a unique performance.<\/p>\n<p>At this time, it does not come out the difference in playing time in each performance.<\/p>\n<p>(But there is a difference of two seconds near the shortest and the longest)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This page is the results of analysis of the recording of Mengelberg Beethoven Symphony No. 5. Conclusion Teldec 4509-95515-2 is recording date in the CD jacket has been described as May 4, 1937, it is considered to be the Gramophone recording of the April 15, 1942. Currently, the recording of the Beethoven Symphony No. 5 of Mengelberg that are on CD is as follows. April 11,\u00a01922 Gramophone recording (first movement only) May 4, 1937 days Gramophone recording April 18,\u00a01940 days Live recording April 15, 1942 Gramophone recording Analysis basis As a reference, I use the date of the Netherlands Willem Mengelberg Society. NYPO, dinsdag, 11 april, 1922 CGO, dinsdag, 4 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/pages\/87"}],"collection":[{"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=87"}],"version-history":[{"count":4,"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/pages\/87\/revisions"}],"predecessor-version":[{"id":95,"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/pages\/87\/revisions\/95"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/media\/16"}],"wp:attachment":[{"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=87"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}