{"id":79,"date":"2016-09-16T13:31:00","date_gmt":"2016-09-16T04:31:00","guid":{"rendered":"http:\/\/mengelberg-en.kyoto-svp.com\/?page_id=79"},"modified":"2016-09-23T17:01:56","modified_gmt":"2016-09-23T08:01:56","slug":"mengelberg-beethoven-symphony-no-5-fate","status":"publish","type":"page","link":"https:\/\/mengelberg-en.kyoto-svp.com\/?page_id=79","title":{"rendered":"Mengelberg Beethoven Symphony No. 5, &#8220;fate&#8221;"},"content":{"rendered":"<p><script src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\" async=\"\"><\/script><br \/>\n<script>\/\/ <![CDATA[ (adsbygoogle = window.adsbygoogle || []).push({ google_ad_client: \"ca-pub-7449767836059688\", enable_page_level_ads: true }); \/\/ ]]><\/script><br \/>\nThis page summarizes the Mengelberg of Beethoven&#8217;s Symphony No. 5, &#8220;fate&#8221;.<\/p>\n<hr \/>\n<p>Now, we have a total of four types of\u00a0Mengelberg Beethoven Symphony No. 5, including the first movement only.<\/p>\n<p>In this site, a date of recording is\u00a0the date of Netherlands Willem Mengelberg Society as reference.<\/p>\n<p>For more information about each recording, I analyze here: <a href=\"http:\/\/mengelberg-en.kyoto-svp.com\/?page_id=87\" target=\"_blank\">The results of analysis of the recording of Mengelberg Beethoven Symphony No. 5<\/a><\/p>\n<h2>Beethoven Symphony No. 5, &#8220;fate&#8221;<\/h2>\n<h3>Recording that we have now<\/h3>\n<h4>April 11, 1922 \u00a0\u00a0Gramophone recording<\/h4>\n<p style=\"padding-left: 30px;\"><span style=\"color: #ff0000;\">First movement only (other movement seems to have not been recorded)<\/span><\/p>\n<p style=\"padding-left: 30px;\">New York Philharmonic<\/p>\n<p style=\"padding-left: 30px;\">VN-01842<\/p>\n<h4>May 4, 1937 \u00a0 Gramophone recording<\/h4>\n<p style=\"padding-left: 30px;\">Amsterdam Concertgebouw<\/p>\n<p style=\"padding-left: 30px;\">VN-01829 \u00a0*CD jacket has been described as April 5, 1937, but is a clerical error.<\/p>\n<h4>April 18, 1940 \u00a0 Live recording<\/h4>\n<p style=\"padding-left: 30px;\">Amsterdam Concertgebouw<\/p>\n<p style=\"padding-left: 30px;\">PROC-1897<\/p>\n<p style=\"padding-left: 30px;\">MR2171<\/p>\n<p style=\"padding-left: 30px;\">VN-01812<\/p>\n<h4>April 15, 1942 \u00a0 Gramophone recording<\/h4>\n<p style=\"padding-left: 30px;\">Amsterdam Concertgebouw<\/p>\n<p style=\"padding-left: 30px;\">Teldec 4509-95515-2 \u00a0*CD jacket has been described as May 4, 1937, but is a clerical error.<\/p>\n<p style=\"padding-left: 30px;\"><span style=\"color: #ff0000;\">There are some CD of May 4, 1937 that is another recording (April 15, 1942) in fact!<\/span><\/p>\n<h3>Personal Impression<\/h3>\n<p>While there are four types, which has also different playing impression.<\/p>\n<p>This is the feeling and marks the impression in one sentence without fear of misunderstanding.<\/p>\n<p style=\"padding-left: 30px;\">1922(NYP) is portamento most effective performance.\u00a0(I feel sexy)<\/p>\n<p style=\"padding-left: 30px;\">1937 has a\u00a0driving force.<\/p>\n<p style=\"padding-left: 30px;\">1940 is\u00a0the most dense performance.<\/p>\n<p style=\"padding-left: 30px;\">1942\u00a0performance that has been emphasized stand-cart is the best (crisp feel better)<\/p>\n<p style=\"padding-left: 30px;\">Individual by the impression is different.<\/p>\n<p>Analysis of the difference of each recording, but was another page, and then extract only the first movement of the playing time.<\/p>\n<p>Since the first movement begins with a rest, it&#8217;s time was measured until the end of the sound from the first sound.<\/p>\n<p style=\"padding-left: 30px;\">VN-01842(1922) \u00a0 \u00a0 \u00a0 \u00a06:17<\/p>\n<p style=\"padding-left: 30px;\">VN-01829(1937) \u00a0 \u00a0 \u00a0 \u00a07:52<\/p>\n<p style=\"padding-left: 30px;\">PROC-1897(1940) \u00a0 \u00a0 6:17<br \/>\nMR2171(1940) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a06:16<br \/>\nVN-01812(1940) \u00a0 \u00a0 \u00a0 \u00a06:17<\/p>\n<p style=\"padding-left: 30px;\">Teldec 4509-95515-2(1942) \u00a0 \u00a0 7:42<\/p>\n<p>In the session recording with the NYP and live recording take the time that about six minutes and 17 seconds, however, in the studio recording of the Concertgebouw take the time that the 7 minute of the second half. Yet the performance of 1937 and 1942 will have a different impression of listening.<\/p>\n<p>By the way, the data of the Netherlands Willem Mengelberg Society will be following.<\/p>\n<p style=\"padding-left: 30px;\">NYPO, dinsdag, 11 april, 1922: \u00a0 \u00a0 6:25<\/p>\n<p style=\"padding-left: 30px;\">CGO, dinsdag, 4 mei, 1937: \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 8:01<\/p>\n<p style=\"padding-left: 30px;\">CGO, donderdag, 18 april, 1940: \u00a06:37<\/p>\n<p style=\"padding-left: 30px;\">CGO,\u00a0woensdag, 15 april, 1942: \u00a0 \u00a07:48<\/p>\n<p style=\"padding-left: 30px;\">From the sound of the before and after playing in here time also seems to be included in the time.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This page summarizes the Mengelberg of Beethoven&#8217;s Symphony No. 5, &#8220;fate&#8221;. Now, we have a total of four types of\u00a0Mengelberg Beethoven Symphony No. 5, including the first movement only. In this site, a date of recording is\u00a0the date of Netherlands Willem Mengelberg Society as reference. For more information about each recording, I analyze here: The results of analysis of the recording of Mengelberg Beethoven Symphony No. 5 Beethoven Symphony No. 5, &#8220;fate&#8221; Recording that we have now April 11, 1922 \u00a0\u00a0Gramophone recording First movement only (other movement seems to have not been recorded) New York Philharmonic VN-01842 May 4, 1937 \u00a0 Gramophone recording Amsterdam Concertgebouw VN-01829 \u00a0*CD jacket has been [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/pages\/79"}],"collection":[{"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=79"}],"version-history":[{"count":8,"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/pages\/79\/revisions"}],"predecessor-version":[{"id":91,"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/pages\/79\/revisions\/91"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=\/wp\/v2\/media\/16"}],"wp:attachment":[{"href":"https:\/\/mengelberg-en.kyoto-svp.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}